
I’m not quick to crown anyone with a title, let alone someone I don’t really know. Secondly, it’s never good to name anyone as the saving grace of hip-hop, as it’s difficult to save anything that, en masse, isn’t in the mood to be saved. Since the birth of the movement, the salvation of hip-hop has been a low priority.
But, along comes Wale and within a few listens, I’m suddenly thinking to against those lines. I downloaded the new Mixtape About Nothing, honestly based on the curiosity at what lunatic would really theme a mixtape after Seinfeld. After the opening few tracks, I’ve got those flutters in my ear that remind the first time I heard Mos Def’s Black On Both Sides, with the slick palatable production and intelligent rhymes. The Mixtape About Nothing itself is a solid work of art, that found itself getting multiple plays over the course of last weekend. He’s smart, without being too aloof. Production choices, like the use of Justice’s D.A.N.C.E as the backing on last year’s 100 Miles and Running shows a smart touch that’ll just make his wider appeal that much more apparent.
I’ve had a pretty love/hate relationship with the last 5+ years of hip-hop, each year offering me less and less that genuinely appealed to my ear. Both production choices and lyrical styles just veered away from my real taste. Lately, production’s been a factor in my drifting off; moving away from a reliance on pricey samples took a little of the soul and swing away from much of the music. It’s cheesy, but I’m a sucker for just a well-aged snare sample. Well, From start to finish both The Mixtape About Nothing and 100 Miles And Running are slick, fun, and smart…a combination just not so often found in hip-hop these days. The choices of backing tracks are amazing, his lyrics are consistently interesting and at times, incredibly insightful (The Kramer). Hell, I’m even entranced by the purposeful contextualization of Seinfeld clips.
Wale is on his way up. Given that the man has produced a few mixtapes that are better than most people’s debut albums in another 6 months, he’ll be someone you’ll struggle to not constantly read blog posts about.
Enjoy his last two mixtapes, which are available as free, digital downloads:


Ditherer is by far one of the more challenging albums I’ve encountered this year. There are far more outwardly bizarre records that have been and will be released this year, but Fog has slipped us something of a wolf in pop music’s clothing. Contained in the expanse of Ditherer are songs that feel somewhat normal, but are propelled by some psychotic veneer. As an album, it shifts gears compulsively; blindly slipping between the twitchy clatter of Inflatable Ape to the lazy mourning of What’s Up Freaks.
I initially struggled with this album, constantly wanting to write it off for a short attention span and a jarring lyrical sense of humor. Little spastic touches like the deranged rising scale riff in the middle of I Have Been Wronged give light to the type of semi-charming psychosis that the album exhibits. The learning curve, even for one who’s got an ear for this kind of skewed outlook, is a little tough. I found myself charmed by one song at a time, listening to that track alone in the mindset that I’d never crack the riddle of the other 10 tracks. Slowly, a new song would catch my ear and I’d decode the foreign melody.
Albums, like this, that come clear over time, after a challenge of repeated listen are ultimately rewarding ones.
Check out these live sets from University of Minnesota’s Radio K which features both a six song set of Andrew Broder solo as well as a three song set with the full band.
Also an Onion AV Club interview with the trio from late 2007.
After 2 years of much touring, Chicago’s avant-mathrockers Maps And Atlases have announced the release date for their next EP, entitled You And Me And The Mountain. You’ll be able to grab a copy digitally on June 16th, as well the limited edition CD produced by Sargent House will be available on their summer tour. Below is the cover art by Ryan Duggan.

Make it a point to catch one of the dates on their upcoming tour. Their live show is quite fantastic, an energetic mix of gorgeously complex song structure and indie hooks. Take a look at my review from their last record release show and give a listen to ‘Every Place Is A House’ from their 2006 EP Trees, Swallows, Houses:
Maps And Atlases - Every Place Is A House
Well, I figured it’s time to update the back catalog of my archived reviews. Here’s what’s been written in the past few months for other outlets and one bonus review that I, well…don’t even remember writing. Seriously, it just turned up on my HD.
Enjoy…
Pitchfork announced today that dronesmiths Stars of the Lid will be touring the U.S. this spring. I’m not usually one for just reposting a band’s tour dates from another music blog, but this is something that I personally have been waiting for since their last tour in 2002.

04-14 Los Angeles, CA - TBA
04-15 San Francisco, CA - The Independent
04-17 Portland, OR - TBA
04-18 Seattle, WA - Triple Door
04-21 Minneapolis, MN - Southern Theatre
04-22 Champaign, IL - Staerkel Planetarium
04-23 Grinnell, IA - Sebring-Lewis Concert Hall
04-24 Louisville, KY - 9:30 Listening Room
04-25 Pittsburgh, PA - Warhol Museum
04-26 Chicago, IL - Lakeshore Theatre
04-27 London, Ontario - Museum London
04-28 Toronto, Ontario - Music Gallery
04-29 Montreal, Quebec - TBA
05-01 Boston, MA - Museum of Fine Arts
05-02 New York, NY - Good Shepard Faith Church (Wordless Music Series)
05-03 Philadelphia, PA - TBA
05-04 Washington, DC - TBA
05-05 Asheville, NC - TBA
05-07 Austin, TX - Ritz Theatre
05-17 Minehead, England - Butlin’s Holiday Centre (Explosions in the Sky ATP)
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