
Some songs are just born singles, perfect little gems that set up house without asking and don’t leave when asked, no matter how kindly you insist. Norway’s Casiokids’s recent release “Finn Bikkjen” is exactly one of those songs: a prefect mixture of melody, beat, and, my own personal audio aphrodisiac, a fat analog synth lead. The ice cream on top is a reverbed, vocal line with a soft melody and sung in a language I can’t understand, which for some reason only makes me love it more. The song undulates from spacier bridges to the uptempo synth-laden chorus that never fails to have induce some sort of contented nodding along. Quite simply, electropop at its finest.
Casiokids – Finn Bikkjen12 – Glasgow – O2 Academy
13 – Edinburgh – Picture House
15 – Nottingham – Rock City
16 – Leeds – O2 Academy
19 – Manchester – Academy
20 – Birmingham – O2 Academy
21 – Southampton – Joiners
22 –
Bournemouth – O2 Academy
23 – Bristol – O2 Academy
24 – Norwich – O2 Academy
25 – London – Camden Barfly (Headline Show)
26 – London – Brixton Academy
In the US, you can’t purchase their singles through iTunes, but you can grab the Moshi Moshi label compilation. It features “Fot I Hose” and the b-side “Verdens Største Land” along with tracks by Au Revoir Simone, Samuel & the Dragon, and The Very Best. To download the compilation through iTunes click the cover to the right.
The 7″ singles for both “Finn Bikkjen” and “Verdens Største Land” are available direct from Moshi Moshi Records.

Today, for some reason, Grizzly Bear was on my mind. While driving around some back roads, I was listening to my favorites off Veckatimest, mulling over the evolution in songwriting from Yellow House to today. The album is certainly one of my favorites from last year and “Two Weeks” still stands as both a killer single and video.
Sitting in my inbox almost summoned by my daylong binge I found this newly minted live Grizzly Bear track. Recorded for Austrailia’s Triple J Radio, the band covers “Boy From School”, one of the finer tracks off Hot Chip’s 2006 album The Warning. The song is given the standard, but wonderful Grizzly Bear-ification: the tempo is slowed, everything is doused in a healthy amount of reverb and the vocal harmonies snake around each other like bacon wrapped around a steak. (In general, this blog is short on vegan friendly metaphors) It’s a lovely interpretation of an already good song, and even if it’s just some under the radar promotion for Hot Chip’s upcoming One Life Stand, I’m ok with that.
Grizzly Bear – Boy From School (Hot Chip Cover)
The Warp debut by Glaswegian Ross Birchard is certainly one of the most interesting albums that 2009 has dropped in our collective laps. Butter is a beautifully chaotic swirl of influences: L.A. glitch-hop, smears of Warp’s spacier back catalog, and at its weirdest there’s charmed allusions to 1970’s prog/experimental masters The Mahavishnu Orchestra. It’s a wonderfully experimental affair, something far more worthy of the Warp branding than the label’s current top seller Veckatimest.
Trying to pick a song to feature here was a bit of a challenge. On the whole, Butter is a long and twisted affair, a bit exhausting to listen to from front to back. It’s strangely uneven too, with some songs congealing more than others, though that is often the byproduct anything so experimental. Still, it’s still one of the best this year has brought forth.
When I first took a pass at the album, the track that kicked my ass the hardest was ZOo00OOm, because…well, I’m a sucker for a killer synth lead. Amidst the hard stomping ghost of an electrified Dilla beat and the fluttering Casio bleep accompaniment is a hard synth that creeps out an almost cheesy sci-fi sounding melody. It’s one of the more linear and charmed tracks on the album; equal parts head-nodding wonky goodness as well something to put on at high volumes to scare the piss out of your cat.
Hudson Mohawke – ZOo00OOm
Seriously though, I’ll throw $20 bucks on the table for whoever can get Outkast back in the studio and have Hudson Mohawke produce the album. Fuck, that would be epic.
Also epic – the Butter album cover:

Butter was released by Warp Records on October 27th 2009

Germans have an interesting concept of pop music, especially when electronics play in to the mix. I’ll credit them with always having a strangely coherent grasp of melding the organic and the inorganic into something that felt more natural than when other nationalities took a stab at the same thing.
Schneider TM, the recording name of Dirk Dresselhaus, is a guy who has a masterful grasp of a solid songcraft, threading “Slide” with a warm comforting melody that intermingles violin, vocoder, and dissonant guitar ambiance with a thin semblance of looped percussion. As much as the song has a somber overtone, there’s something genuinely uplifting about the song as a whole.
Schneider Tm – Slide
Buy it on 

Quite possibly one of the most fun things I did while in LA was to attend Low End Theory, a gathering of local and visiting electro-glitch-hop performers that was worth every penny.
Given the schedule, I held down while in LA I rarely did much of anything, but managed to hit up Low End Theory a few times…which says a lot. I got to see Daedelus do an amazing and varied set on his magical Monome, as well I got to see Jel (a member of both Subtle and Themselves) destroy on the MPC. It’s a chill atmosphere, with the wide back porch stage and additional upstairs DJ space. Plus, the outside sound system is one of the heaviest I’ve ever had the joy to experience. During Jel’s set, I was standing at the center of the stage and the bass dug in deep…every article of clothing I had on was buzzing. One of the friends I was at the show with got quite sick from the vibrations. Serious business.
Just today, they’ve released the first of what will hopefully be many podcasts. They’re waiting for approval from Apple to get the thing listed up on iTunes, but for now you can grab it directly from their site:
Since you just missed the awesomeness of Daedelus & already TTM.com loved Nosaj Thing on the 25th, here’s two upcoming at Low End Theory nights noting:
3/11: DJ NOBODY BIRTHDAY DRINKING CONTEST – with Free The Robots
4/23: LAZER SWORD
I enjoyed both of them alot last year. Santa Ana’s Free The Robots is probably one of the best beat smiths to hit my ears in a long while. He’s got the same brilliant ability to craft real songs, the same that pulled me in when I first heard DJ Shadow all those years ago. His Free The Robots EP (iTunes link) is a fantastic piece of work that easily outshines a lot of his contemporaries. He’ll be hitting Portland on May 1st at the Crown Room
Finally, grab this free download of Lazer Sword’s Blap to the Future mix:

Free downloadable mixtapes are my favorite things lately. What mixtape do you love the best?
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