…In With The New – Andrew Bird’s Noble Beast (MP3s & Tour Dates)

As the pastoral album cover hints, Noble Beast is a different kind of Andrew Bird. It’s grounded in a kind of naturalistic realism, a smaller album overall. While not a bad thing, but as it’s a comedown from the dark grandeur of Armchair Apocrapha, there’s definitely a period of listener adjustment that has to happen. Most every moment of Noble Beast is fraught with restraint, lacking the soaring bombast that permeated both its predecessor and …And The Mysterious Production of Eggs. Many of the tracks on Noble Beast are gentle to the core, crafted with touches of straight piano, acoustic guitar and cautious percussion.

It’s definitely a throwback to an older Bird, as there’s many moments where Noble Beast recall the simpler songwriting style of 2003′s Weather Systems which felt like an album of songs to be performed alone. Noble Beast has the essence of being written for someone, a touching living room performance in a house with creaky floorboards and a snow dusted roof.

‘Souverian’ is a good example of the new dynamic. At over seven minutes, it’s the lengthiest track on the album, and it retains touches of the more complex Bird songwriting. It begins a delicate stitch of violin, acoustic guitar and brushed drums that hang against the. The song snakes along, taking it’s time, pausing often to catch its breath; there are moments where you can feel the hints of a build coming, but it’s only a tease. An older Bird would use those moments as springboard into a looped cloud, but instead you get just a taste…a single bowed note arcs higher, reaching out of the mix, then things are quickly grounded. The song shifts in the last few minutes, the drums grow heavy and the melody somber, before taking off slowly into a glacial cloud of guitar noise. The entire song, as well most of the rest of the album is a work of patience…still quintessential Bird, but different in its approach.

Andrew Bird – Souverian


‘Anonanimal’ is an incredibly subdued and interesting track that quickly grew to be my favorite on the album. It snakes around the first half with a deft tangle of prickly guitar, violin and gorgeous wordplay. After a moments pause, it leads the listener along to a pop of Dosh’s skittering drumming and a bolder guitar riff.

Andrew Bird – Anonanimal


Overall, we’re faced with a slow moving, intricate work that takes time to crack open and examine the majesty within. Initially, I wasn’t totally sold on the album as a whole and was prepared to just write it off as a low point in his catalog, but I needed to sit with it for longer in order for it to grow on me. I’m a very staunch Bird fan, but on the same page, I love the complexity and the dexterous layering that made a beautiful fog out of his last two albums. The absence of those elements was off putting at first, but with repeated exposure, became a benefit. The strongest element of Noble Beast stands with Bird’s vocal melodies. While the older albums sucked listeners in with the craft of the music, I think that this album marks a change in his confidence as a songwriter. He’s less afraid to hide behind technical elements and lets the small touches speak just as loud. If you’re not in love with this album instantly, do take the time to get familiar with the melodies, to peek into the corners and find the subtle details that makes this album worthy of many repeat listens.

Tourdates:

Feb 14 2009/ The Rialto Theatre – Tucson, Arizona
Feb 15 2009/ SOMA – San Diego, California
Feb 18 2009/ The Orpheum Theatre – Los Angeles, California
Feb 19 2009/ The Fillmore – San Francisco, California
Feb 20 2009/ The Fillmore – San Francisco, California
Feb 21 2009/ Roseland Theater – Portland, Oregon
Feb 23 2009/ The Moore Theatre – Seattle, Washington
Feb 24 2009/ Knitting Factory – Boise, Idaho
Feb 25 2009/ The Murray Theater – Murray, Utah
Feb 26 2009/ The Ogden Theater – Denver, Colorado
Feb 27 2009/ Slowdown – Omaha, Nebraska
Feb 28 2009/ Hoyt Sherman Place Des Moines, Iowa
Mar 15 2009/ The Pageant – St. Louis, Missouri
Mar 16 2009/ Liberty Hall Lawrence, Kansas
Mar 17 2009/ Cain’s Ballroom – Tulsa, Oklahoma
Mar 21 2009/ House of Blues – Houston, Texas
Mar 22 2009/ Granada Theater – Dallas, Texas
Mar 23 2009/ The Lyric Oxford – Oxford, Mississippi
Apr 2 2009/ Allen Theatre – Cleveland, Ohio
Apr 3 2009/ Queen Elizabeth Theatre – Toronto, Ontario
Apr 4 2009/ Le National – Montreal, Quebec
Apr 5 2009/ Higher Ground – South Burlington, Vermont
Apr 7 2009/ Carnegie Music Hall – Pittsburgh, Pennsylvania
Apr 8 2009/ Michigan Theater – Ann Arbor, Michigan
Apr 9 2009/ Civic Opera House Chicago, Illinois
Apr 10 2009/ Civic Opera House – Chicago, Illinois
Apr 11 2009/ The State Theater – Minneapolis, Minnesota
Apr 27 2009/ La Cigale – Paris

Noble Beast was released January 20th in North America on Fat Possum Records and February 2nd in Europe via Bella Union/Cooperative.

‘Around The Well’ & Small Tour Coming – Iron and Wine (Postal Service Cover Included!)

To support the upcoming release of Around The Well, a 2CD/3LP collection of rarities, Sam Beam is taking to the road for a small U.S. tour. Each of the city’s sets will be determined by the fans, as voted on at his website. Shortly after each show, you’ll be able to purchase the show recordings at Played Last Night.

Tourdates:

May 4: Seattle (Vera Project)
May 5: Seattle (Triple Door)
May 6-7: San Francisco (Swedish American Hall)
May 8: Los Angeles (Masonic Hall)
May 9: Los Angeles (Troubadour)
May 12: Chicago (Lakeshore Theatre)
May 13: Chicago (Schuba’s)
May 17-18: New York (Abrons Arts Center)

Additionally, proceeding the NYC dates Iron and Wine will be performing along with Flight Of The Conchords for a one-off show at Red Rocks on May 16.

Around The Well will feature songs that span the length of Iron and Wine’s career. To quote Sam Beam…well his webmaster, anyway…“The double-disc collection is broken up into two sections. The first half is an assortment of hushed home recordings, unedited and raw, and the second highlights moments captured in the confines of proper studios with the help of other musicians, friends and engineers.” A few covers will be on the collection, including Flaming Lips’ “Waitin’ for a Superman” and New Order’s “Love Vigilantes”.

If the above graphic from the main page of ironandwine.com, I’m hoping that he’s going to reinvent himself as some kind of hobo hip-hop artist ala Joaquin Phoenix’s recent odd turn.

Maybe not….actually, hopefully not.

Finally, Iron and Wine’s cover of The Postal Service’s ‘Such Great Heights’ will be featured on Around The Well and is a touching and brilliant reinventing of an already fantastic track.

Iron and Wine – Such Great Heights (Postal Service Cover)


Glitchy Analog Hugs – Nosaj Thing

Los Angeles’s Nosaj Thing was quite possibly my favorite discovery of 2008. A new guy on the scene, with just an single EP under his belt, he’s still created a work of majesty that brings along definite anticipation for currently underway, full length. His tracks are capture a kind of warm analog wonder, peppered with deft drum programming and tasteful glitchy elements.


Nosaj Thing – Bach 1685


Purchase the vinyl from Turntable Labs

From the limited run Stussy x Turntable Lab compilation Beats, “Bach 1685″ was the first track of his that I caught, and it immediately captured my ear with the 8-bit sounding washes and wandering backwards keyboard. The above video features the dance moves of Montreal producer Lunice (who, on a side note, did one of the best remixes of Kanye’s remixes of “Love Lockdown” that I’ve heard so far – download it here)


Nosaj Thing – Hearts Entire


Video by Dugan O’Neal
Purchase from

There’s rarely a person that I play him for that isn’t blown away. It’s safe to say that, in a year, a ton more folks will know about what he does. I’m sad that I left LA without catching his Low End Theory appearances, but from the looks of his myspace, he’s going to be playing out a bit this year. Be sure to catch his live show if you can.

Feb 5 2009 Fox Theater w/ The Gaslamp Killer, Pretty Lights – Boulder, Colorado
Feb 6 2009 Aggie Theater w/ Pretty Lights, Savoy – Ft. Collins, Colorado
Feb 7 2009 Cervantes Masterpiece Ballroom w/ Pretty Lights & DJ Russo – Denver, Colorado
Feb 13 2009 OBEY RADIO @ The Crosby w/ The Gaslamp Killer – Santa Ana, California
Feb 20 2009 TBA – Richmond, Virginia
Feb 21 2009 BeBar – Washington, Washington DC
Feb 26 2009 Holocene w/ Eliot lipp and Michna! – Portland, Oregon
Feb 27 2009 STS9 after party w/ Free the Robots + the Gaslamp Killer – San Francisco, California
Mar 5 2009 Princeton: Terrace F. Club – Princeton, New Jersey
Mar 6 2009 Zot Bar – Philadelphia, Pennsylvania
Mar 7 2009 – Tribeca w/ Eliot Lipp + Pnuma Trio – Virginia
Mar 13 2009 11 Minna Gallery w/ Mochipet – San Francisco, California

Portland Post-Folk-Electro-Rock-ish – Talkdemonic

I’m a sucker for anything that puts the focus on stringed instruments. Just like how I discovered Dirty Three years too late, I don’t know how Talkdemonic slipped by me for as long as they did.

The music the Portland duo creates is a brooding, deep-woods symphony, reflecting well the terrain of the Northwest. Without lyrics, the instruments do the job of emoting, with Lisa Molinaro’s violin and cello playing working to convey the heart of the music. Kevin O’Connor handles the drums and electronics sequencing and the result is something that broodingly straddles the genres of indie rock, electronica, and post rock to a pleasant end.

The duo released their third album, Eyes At Half Mast in late 2008 and will be playing a show this Saturday February 5th at Portland’s Doug Fir Lounge. Lucky Madison labelmates Ah Holly Fam’ly and local dark folkies Nurses and will be opening up the evening.

Talkdemonic – March Movement


Not All Icelandic Pop Chanteuses Are Batshit Crazy – Lay Low

Lay Low was an accidental discovery made while I was blindly walking the streets of Reykjavik during the ’06 Iceland Airwaves. I stumbled into Skífan, one of the record shops on Laegavur to find her alone with an acoustic guitar, singing away to a tiny gathering of folks amidst the CD aisles.

There was something captivating about her performance; she’s got the dark, smoky voice that belies her looks and age and her songs are simple and pleasing, with a touch of Icelandic lilt to her intonation. Completely unlike most everything else featured at that year’s Airwaves, her intimate music floated far higher than some of the loudest of bands.

Her new album, Farewell Good Night releases on March 3rd. It’s an interesting shift from her earlier, more blues influenced work and becomes more a half-drunk love note to both Johnny Cash-style American country and the era of passionate torch songs.

You can get a download of “Last Time Around”, from the forthcoming album, by signing up for her mailing list here.

Check out Mojo Love, from her 2006 release Please Don’t Hate Me:

Lay Low – Mojo Love



“By and By” from Farewell Good Night, performed live at Iceland Airwaves 2008
Frikirkjan Church in Reykjavik, Iceland


“Please Don’t Hate Me” from the 2006 album of the same name.

Feb 5 2009 Kulturkirche – Cologne
Feb 6 2009 Passionskirche – Berlin
Feb 7 2009 Freihez – Munich
Feb 9 2009 Szene – Vienna
Feb 10 2009 Bierhubell – Bern
Feb 12 2009 Magazzini Generali – Milan
Feb 13 2009 Corallo – Scandiano
Feb 14 2009 Sala Sinopoli (Auditorium della Musica) – Rome
Feb 16 2009 Mascotte – Zurich
Feb 17 2009 Les Docks – Lausanne
Feb 18 2009 La Laiterie – Strasbourg
Feb 20 2009 Paradiso – Amsterdam
Feb 25 2009 Linja – Helsinki
Feb 26 2009 Lutakko – Jyvaskyla
Feb 28 2009 Suistoklubi – Hameenlinna
Mar 3 2009 Telakka – Tampere
Mar 6 2009 Nordatlantens Brygge – Copenhagen
Mar 9 2009 Prinzenbar – Hamburg
Mar 10 2009 Admiralspalast Studio – Berlin
Mar 11 2009 Studio 672 – Cologne
Mar 12 2009 The Slaughtered Lamb – London
Mar 13 2009 ULU – London
Mar 24 2009 Fontana’s (with Benny Crespo’s Gang) – New York City, New York