New Why? Surfacing Around The Internets

Though not proper album tracks from the forthcoming, as yet untitled album, but a handlful of new songs have bubbled up. As part of a contest of sorts, the blog We Fear Change has requested users create videos and photos with the winner’s reward being a song composed for you. You can check out all the Golden Ticket Winners here.

My favorite thus far:

http://www.youtube.com/watch?v=sj9UKqHB5VE

As well, Yoni recently put up a single announcement video that’s somewhere between walking freestyle vlog and doing peyote in the 90’s. The biggest fact to take from the psychedelic pastiche is that they’re releasing a new single in about 6 weeks.

Take a look:

If you’re lucky enough to be in NYC or Boise, ID go see them live:

03/16/12 New York, NY Le Poisson Rouge
03/23/12 Boise, ID Treefort Music Fest (Main Stage Outside)

Picture unrelated.

Baths – ‘Maximalist’

Will Wiesenfeld has crafted a luscious album of warm layered beats that ricochet across each song. The album is a marked success that carries the torch for the already excellent LA electro scene. Check out the exuberant thump of ‘Maximalist’:

BATHS – MAXIMALIST

Also, the remix of ‘Hall’ by One AM Radio that features the Los Feliz Ladies Choir over at Stereogum and the RCRD LBL exclusive remix by Asura below.

Cerulean will be released on July 6th, 2010 via Anticon. You can pre-order it from iTunes and on vinyl from Insound.

Why? – Eskimo Snow

There’s a lot contained below the surface of Eskimo Snow and what’s underneath is not entirely an uplifting affair. The album, which was released in late September on Anticon Records, is almost completely devoid of the hip-hop sheen that glossed both Elephant Eyelash and Alopecia and what is left settles with much more heft and weight. Much of the humorous subtext is gone as well, though the wordplay left behind is no less clever. The album gives off the air of a defeated narrator, be it Yoni himself or the character he’s woven into the band’s three albums, someone who has laid down his arms in light of the arriving war. The first two albums settled a mixture of reaction to the world around him with wry commentary, Elephant Eyelash brimming with a bit more uptempo sadness followed by Alopecia’s growing frustration. Put in context, the core of Eskimo Snow, in both lyrics and music is something more introspective

I had the pleasure of interviewing Yoni back in early 2006 just before one of their opening shows for The Silver Jews at Chicago’s Double Door. The read I got off him then was a sincere one, as he was a genuinely kind and grounded guy who spoke with as much sincerity off the stage as he did in his lyrics. Between then and now, one has to assume that as you progress as a person of interest in the public eye, there is a divergence between the self you present in your art and the self you live. Over the course of the last two albums, it’s safe to guess that more of a ‘narrative interpretation of Yoni’ has crept into the lyrics. The process of exposing yourself through your art, especially to the extreme that he does can create two representations of one’s self. Even with those ideas are taken into account, Alopecia and Eskimo Snow were born of the same recording sessions, so to say that there’s an evolution over time could be a less than true guess.

Character analysis aside, when you take away the hip-hop sway and gloss humor, what’s left at the core is a dense affair. The same themes of morality, self image, and mortality run through the core of this record. The songs stand strong individually despite the brief length of some, like the hypnotic album opener These Hands. This pairs a rising coo of discordant backup vocals with Yoni’s comparison of his own life’s progress to his father’s. The deep reverb on his voice paired with the lonely piano chords makes for something that creeps under the skin and at under two minutes is gone before you really recognize what is going on.

Why? – These Hands

Another highlight rests with Into The Shadows Of My Embrace, which leans on a swirl of keyboards and xylophone as it marches toward an almost melodramatic musical and lyrical peak where he sings about the extreme of his confessional nature. The kind of straight pop style that he uses in songs like this and Alopecia’s Simeon’s Dilemma and Brook & Waxing were a shift in style that I had to really wrap my head around, but the way they’re executed it grows on you.

Why? – Into the Shadows of My Embrace

With the tour supporting this album, there was a pretty interesting shift in the band’s setup. My last show in Portland was them with the charmingly enigmatic Phil Elverum, this time doing what could best be described as epic Anacortes sludge metal. Why?’s live setup for this tour featured Andrew Broder and Mark Erickson of Fog, so that the full band that participated in the Eskimo Snow and Alopecia recording sessions was present. Earlier tours, they’d shift up the arrangement and subtract elements to perform the songs live, but the full roster of folks on stage allowed for a pretty fair recreation of the album’s sound, down to the barely there backup vocals on Against Me which I always chalked up to reverb. Usually, Yoni would have a setup of a snare drum and a keyboard hooked up to a few effects pedals, but now he was able to function more as a lead man, free to move around the stage untethered. Overall, the show was the most solid and confidant I’ve seen them yet, a reflection on the changes musically and lyrically on the album.

Ultimately, Eskimo Snow chopped up snippets of someone’s life, very much not my own, but the emotion behind it all rings true with me. The feeling of frustration and exhaustion, that I feel a lot of people are suffering through as the world lets loose what could only be described as a massive economic sigh. The emotional pull of the album is more important than the specifics of musical influences or which track hides the cleverest lyric, as Eskimo Snow yields a rewarding listen weather you take the stories as truth or fragments of Mr. Wolf’s own mythos.

Eskimo Snow was released by Anticon Records on September 22nd 2009

Spaceland Gig And New Single (The Hollows) For Anticon’s Why?

With the release of Why?’s new single, one can expect a shift in tone for the forthcoming album Alopecia. Last night, they played at LA’s Spaceland part of a 3 date California mini-tour to celebrate the release of their new single The Hollows. At the show (and via the Anticon store) you could purchase the 12 inch which officially releases Tuesday the 27th. The vinyl features The Hollows and a remix by DNTEL of the unreleased “By Torpedo Or Crohn’s” The flip side features fey-rockers Xiu Xiu covering Elephant Eyelash’s “Yo Yo Bye Bye” and Half-Handed Cloud doing a medley of Why? tracks curiously titled “Pre-teen Apocalyptic Film Acting.”

At the show, they held the single off till the end of a set that was comprised almost evenly of new and old tracks. For the song, they shuffled around the tiny stage to a new configuration. Yoni moved to the keyboard rig that Doug McDiarmid had spent the set behind and suddenly looked tiny in comparison. Josiah brandished a bass guitar and multi-tasked drum duty during the song.

The song’s spooky stomp seems to signal a shift from the mournful Yoni to an angrier one. The Hollows has a delightfully dark linear build, peaking with angular explosion of guitar that coincides with Yoni recounting some European misadventures. The hard jangly peak lasts only seconds but it represents a stylistic break. Such harshness is strange for a Why? song. Much, if not all of Elephant Eyelash had a softer edge, even the moments where he dipped into intensely dark feelings, it was guised in a certain sorrow. The Hollows, however, feels more like like angry sex.

His lyrical work is still as interesting as it ever was. Yoni’s hip-hop/spoken word background has always leaned him toward a particularly unique place, especially within in the pop context of the music. I think only he could take stumbling upon a gay couple fucking in public and with his style of writing turn it into such an interesting moment of a single.

Much of the other new material played at the show seemed to carry a more aggressive tone, digging into the darkest part of Yoni’s coffer of memories. Hearing new work live is always a mixed bag, especially knowing how each song will inevitably grow and shift into the final recorded versions. We’ve got about 4 months till the new album is released, so patience is necessary, but if the show was any indication, it’ll be worth it.

Alopecia will be released on March 11th 2008.

WHY?’s homepage – myspace.com/whyanticon
Label homepage – www.anticon.com